Stefania Nicolini’s artistic production is an identitary trace rich of vibrations, melancholies, authentic feelings and states of mind where there is no escape from reality, but a summoning and affection for the experienced, where the characters convey their emotions through poses and expressions sealed by a strong artistic technique.  It is a pure and direct pictorial truth, where images tell concrete stories, showing the depth of a soul who loves to observe her own world with a slow gaze, contemplating, revealing the love for who and what is around her. It is a trip to a discovery of memories, remembrances and feelings which materialize in timeless shapes to which the…

Leonardo Ciccarelli’s rarefied and silent atmospheres are characterized by a communicative strength which is accompanied by an expressive freedom made of soft and light shades, as well as more decisive and strong ones. Always pervaded by a delicate expressive lyricism and by a never intrusive brightness, his works are always delicate and captivating, accompanying the observer towards immaterial and highly communicative visions.  It is a painting deriving from an intimate sensorial tension, from the will of giving shape and colour to a series of emotional impulses through which the artist lives the nature and the world around him. His paintings are a projection of thoughts and states of mind which…

The fascination with Francesca Ragona’s paintings arises from a vivid and fiery chromatic impact: it is a painting of coloured abstractions, opening up to infinite worlds and mysterious, charming and unidentified contexts, charged with feelings and conceptuality. The Artist lives the creative process in its cathartic function of liberation of those underlying strata of the human soul which appear scarier when kept hidden.  Hence the disruption of the shape, accompanied by a colour present in its total freedom and independence, represents an introspective trip towards intimate and secret realities, which push us to discover and understand sides of oneself never thought. The canvas is scary, especially when it is white,…

Anna Nobile’s painting mixes tradition with modernity: the perfect combination between a surrealist and an oneiric point of view, resulting in an expressive ability which harmoniously combines the element of the real with that of the symbolic. With an eye on the masters of the past, such as Franz von Stuck, Gaetano Previati, Gustav Klimt… of which subjects and contents she takes possession of, Nobile gives life to visual images, re-elaborated by her creative flair, immersed in intangible oneiric atmospheres, from which ambiguous details emerge.  The artist, thanks to her remarkable sensorial perception, becomes visionary, the explorer of a Nature charged with intrinsic meanings, of which she wants to scrutinize…

Mirja Nuutineen’s production is surprising and odd, and the artist manages to adjust between vision and reality, to balance different and similar elements in a game that teases the observer, in order to make him actively question an otherwise mere aesthetic image.    We are in front of a captivating, playful, ironic and smart dimension, in which the contents are presented in an easygoing but meaningful way, in which the subjects, extrapolated from past iconography, are merged and overlapped with contemporary symbols, in a harmonious balance which enchants the observer in a prolific and constructive dialogue.  These exuberant images become a means for a message, revealing the everlasting and ever-existed need…

The communicative intensity in Anna Santilli’s artistic production is the result of a reasoned balance amongst aesthetics and conceptuality. Her artworks are the result of a quest for answers which expresses itself through the use of black and white, trespassing the schemes of the classical figuration.  What emerges is the incisiveness in representing a reality beyond the artist’s personal vision, and where the real becomes a pretext in order to express contents, to look for answers, to elaborate topics. The essence of the represented scenes is realized in the synergy of the shapes and the synthesis of the colours, where the “non-colour” is often accompanied by the disruptive red, with…

Maria Emilov’s artworks are areas of thoughts, rooms of the soul, in which deep vibrations of evanescent atmospheres are perceived. The artists’ considerations arise from objectivity, but it unravels a path taken over by subjectivity, and reality becomes a field of investigation for those willing to overcome tangible data; disrupting the figurative element into something abstract and conceptual, leading the spectator on a quest for an interpretation which allows to undo unusual and unresolved aspects.   It is an intimate analysis of abstract visions and blurred characters, anonymous and only hinted… we are in front of a dematerialization of objective reality, which is sublimated into visions on the edge of abstraction. …

An army of women, children, human beings, faces, talkative eyes, which wrap you up, follow you, lay on you and never leave you. Eyes which capture the observer’s sight and tell a story, sometimes a painful one, sometimes a hopeful one of liberation, as art is this as well: an instrument to the service of social, which opens a new perspective on various topics, revealing its deepest side.  All of this is Monica Pizzo’s painting, an art which was born instinctively in the most hidden and intimate part, a carnal and passionate painting which rejects brushes, spatulas, or other instruments of the job, leading the artist to paint directly with…

Contemporary art often abandons formal beauty and its representation and aesthetic complacency, in order to shift attention on conceptual grounds or on social analysis. Invested in a provocative role, which is needed in order to stimulate careful thoughts and to provide different keys of interpretation, it enables the artworks to instill new meaning to what happens around us.  Often it happens that contemporary works are misinterpreted or misunderstood, sensed as alien or distant, when in reality there is nothing more “humane” than that. Humane in the literary sense of the term, hence something in the service of men, which can turn into an instrument of analysis and investigation, in order…

What emerges from Kayo Sato’s work is the sacred devotion, typical of the oriental world, towards Nature. An animated Nature, lively: expression of purity and perfection, which recalls the world of the origins, the sacredness, an ancestral dimension.  Kayo’s creative process is the result of an intimate reflection, of an inventive will which combines fantasy and colour, and from which emerges the complexity and vastness of a careful work, rich in details and of extreme precision. The colourful cloths, the lightness of the texture, the impalpability of the matter, the personal technique of the pleating, are expression of an interior reflection, a mirror onto the spirit’s secret places. States of…